Technical limitations

Having captured all the images of the paintings in progress, the processing of the hundreds of individual high-resolution image files is even more  laborious; each file has to go through numerous edits including in Lightroom, Photoshop, Da Vinci Resolve (for creating the video). Though it was all done meticulously throughout it is impossible to get […]

Rhythm / ‘to flow’

Definition and etymology rhythm /ˈrɪð(ə)m/ Learn to pronounce noun noun: rhythm; plural noun: rhythms 1. a strong, regular repeated pattern of movement or sound. “Ruth listened to the rhythm of his breathing” synonyms: pattern, flow, tempo, regular features, recurrent nature “part of the normal rhythm of daily life” the systematic arrangement of musical sounds, principally according to duration and periodical stress. […]

About the oil

  Writing the script for my 2nd symposium caused me to mention the significance that the oil medium has for me. The image above shows a very special oil source obtained about 30 years ago. It is cold pressed linseed oil as supplied by Zecchi of Florence – Zecchi being the artists’ materials shop right […]

Pictopoiesis and Pragmatism

Painting in progress:   There are certain facts about oil painting which make it tricky to handle at the beginning. When I began painting in earnest, I found it difficult to handle oil paint, actually I did not like it. I had only ever used water paints before. But I persisted with the oil painting. […]

The Integrity of Line

The drawings below were all made freehand, with a basic mouse, no other aid. I call them mouse drawings. At the time I was interested in the possibility of inventing a series (alphabet-like) of protoforms suggestive of different habitats or dwelling places, structured line by line. Like building a skeleton, external and internal. In every case, […]

Unit 2 Assessment

MAVA Fine Art Digital Unit 2 Year 2 201819 assessment brief (1) Indicative Content: • Exploration of Practice • Exhibition Planning and delivery • Personal and Professional Development Please find below the evidence required for: 1. Participation in the Symposium: Symposium 2 2. Critical Evaluation of your practice and future development (500 words): The MA Summer […]

Unfolding Pictopoiesis

I have taken the leporello (concertina) format and developed it by a double folding into a map-like foldable/unfoldable. I would call it a double leporello map. It has the feel of being both a map and a book. This is very pleasing to me. More than this, it offers a grid-like structure of cells which I can annotate. […]

This latest shape comes into being

I have just created a new level of the painting. It has taken 3 days to create and I would like to review it with practopoiesis in mind. All based on lines*, the refinement of this new passage of paint ended only when after three days the paint had stiffened (through its oxidation) to make further […]

Post for Second Symposium

My previous post gave the background (with a lot of technical stuff too) for my exhibit at 2 Girls Gallery. The exhibit consisted of a small 25 x 25cm, oil on aluminium painting and a digital animation, duration just over 2 minutes. which I would like to demonstrate here. So please see below the two items, along […]

TIMELINE 1 – The Temporality and Potential Endlessness of the Line

Waring Rago Studio still – painting sequence captured photographically, as stills, desktop printed and laid out in sequence next to OMPHALOS by Nicholas Gulig. I have been thinking about the Line – all the things that a line is/can be/might be/represents – and in the manner of Sol LeWitt’s Sentences on Conceptual Art (as Jonathan […]