The painting started off with a visual of the six persimmons, round things. I have brought the painting to its current state and been cogitating on it at length and now see how I can bring it to its inevitable conclusion. The painting itself becomes the subject matter such that its conclusion was impossible to […]
Tag: pictopoiesis
Symmetry
Why symmetry gets really interesting to physics when it is broken. What principle(s) underlying physics also underpin the painting? Considering symmetry in contemplating the animation – to try to decode and further explicate pictopoiesis: https://en.wikipedia.org/wiki/Symmetry
And then it struck me…
I took the photo of the cage with a background of the surface of the table on which I do my paintings. For no other reason than that is was convenient to do so, or was there actually another reason? – in the form of an awareness which made me feel that this was […]
Pictopoiesis and Artificial Intelligence
Reading this article, I am wondering if a program for pictopoietic thinking could ever be conceived, perhaps hypothetically. The thing is, pictopoietic thinking is living thinking, and a computer is not alive. Meanwhile, I shall carry on trying to explicate pictopoiesis and its elements as best I can. Today, in and out of the studio. The days are […]
The blind spot
I am thinking that in this article is correspondence with an essential principle underlying pictopoiesis: that the material reality of the painting and its beginnings with the fundamental building blocks (the black dot “atom”), is what the painting all works back to, and traceably so. In fact, how closely this principle of pictopoiesis, of material connection with source and origin, […]
Big Questions and the Smallest of Things.
In effect, we are living in a state of perpetual remote control. As Carl Miller argues in his book The Death of the Gods (2018), algorithms have taken over many day-to-day procedures. https://aeon.co/essays/do-you-know-your-stuff-the-ethics-of-the-material-world Food for thought vis a vis pictopoiesis, its appropriateness and timeliness in our remote-controlled world. In pictopoiesis connection with origin, or source is maintained. The serial […]
Treatise, Tantra, Mantra
image: Great Mirror, oil and pigment on paper by JWR Some background contextual research regarding the explication of pictopoiesis: Treatise note: to list of treatises given in above link add: Leonardo Da Vinci A Treatise on Painting also: Vincent de Beauvais “Great Mirror” also: Albertus Magnus also: Sol le Witt Paragraphs/Sentences of Conceptual Art; Paul Klee […]
Origin always has echo
The art of our earliest ancestors is compelling, so I was interested to look through an article (see notes at end of post) in my inbox, which has triggered the following post: Some time ago I did a series of paintings in which, amongst other matters, I was interested in trying to commune and reconnect […]
Six Persimmons (ongoing)
This painting began with a figurative point of reference but follows the same pictopoietic pathway of previous paintings. Pictopiesis is not only applicable to non-objective painting. The first passage of paint is always a defining moment, it is the point of origin of the work, and always has its echo in the eventual outcome. This is the […]